I was delighted to discover today that vinyl is alive and well – or at least it’s in the process of being resuscitated.
Voila: Vinyl appreciation in Philadelphia.
Even though I’m an enthusiast of the latest and greatest technological advances, I am also a purist – a purist who participated in the backlash against what I considered to be an unmerciful bastardization of the vinyl record album. (Not to mention the concept album – and how MP3s seemed to just pants them in front of their friends.)
The analog, manual, vinyl record: in case anyone has forgotten, the album was a purposefully arranged selection of songs by an artist. Fans were meant to experience albums from start to finish – a full 45-minute commitment from Side A to Side B. This arrangement of tracks often gave the songs a context, which only added to their enjoyment. I realize this is a foreign concept, but it’s one worth studying for those born after 1987.
Try playing a record. A whole record. Trust me – it’s brilliant.
For me, nothing compares to hunkering down with my Brian Eno records on a rainy day or spinning a few early Talking Heads albums when we have our monthly, free-form academic symposia. (I wouldn’t consider myself an avid collector, but I wouldn’t stop someone from giving me that moniker.)
For nearly 40 years, vinyl record albums were the most popular way – and for some time the only way – to enjoy recorded music at home. And we still embrace vinyl wholly, with all its faux pas (popping, hissing, skipping) as part of its charm. Cassette tapes don’t inspire this idealized of nostalgia, and CDs just seemed, well, too shiny and impersonal for legit music fans upon their inception.
The 90’s saw a bit of a push back on CDs, insisting on keeping the spirit of vinyl in independent record shops across the country. DJ culture has certainly kept vinyl in business, perpetuating its association with credibility. One has to wonder if records would not be totally defunct and out of print if not for the heroic efforts of DJs in dodgy bars and swanky clubs everywhere.
And now we have one whole day to appreciate the Record. Part of me wants to bring up the fact that my life throughout high school, college and the few years beyond college was one long, record appreciation decade. To prove it, I have 4 shelves full of vinyl (and still growing every year) that I have successfully moved myself to 7 different apartments.
What we’re seeing now – not just in music, but in pop culture as a whole – is an embracing of all things vintage and current. In many respects, we are no longer exclusionary. No longer must we pick a decade and stick with it; no more do we have to choose between the authentic yet bulky LP or the convenient yet artless iTunes album. We are embracing every branch and subsidiary of the main stream throughout the 20th Century and into the 21st. It’s equally acceptable to like heavy metal as it is to have a sizeable collection of late 80’s Freestyle. Bell-bottom, wide-leg, boot-cut and tapered jeans can all co-exist peacefully now; years previous saw the dominance of one style and the utter mockery of others. Our image is a more universal one, and a global acceptance and appreciation of multiple trends in art, music and fashion. Part your hair any which way, wear whatever brand of sweater you wish, and go ahead – make a mix tape from your ELO albums and your French Kicks MP3s. And then make me a copy; that sounds spot-on.
An older version of myself would have balked at the idea of converting my record collection to MP3s and storing everything on my iPod for long road trips, jogging or particularly boring meeting with my book club. (It’s shameful, yes, but with the ear buds, they can never see it.) But while I’m a dyed-in-the-wool vinyl devotee, I still enjoy the unique benefits of my iPod Nano.
But most importantly, I can proudly display my CDs, cassette tapes and 8-Tracks next to my extensive vinyl collection – with Roxy Music next to Minus the Bear; The Buzzcocks next to Yo La Tengo.
This begs another question: if it weren’t for the MP3 leading to the total ubiquity of music from all decades and genres, would the universal embrace of pop culture be possible? It will give you something to think about while you go download a few Roxy Music tracks from iTunes. (Your welcome in advance for reminding you about them.)